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Hai bisogno di informazioni precise ? Trova il prezzo e altre valutazioni grazie alla nostra banca dati di opere d’arte africane. Norman Catherine; South African 1949-; Thought Box da Norman Catherine


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Norman Catherine Nato a 1949
Il lotto Lotto n° 366
Norman Catherine; South African 1949-; Thought Box
Medium: oil on mixed media
Dimensione : height: 47,5cm; width: 37,5cm; depth: 13,5cm
Edizione:
Firma:
Stima (bassa/alta) : 150000 ZAR-200000 ZAR 🔓Senza carta di credito.
Strauss & Co, banditore 🔓Senza carta di credito.
,Posizione di vendita : Johannesburg, Gauteng, ZA
Titolo di vendita : Evening Sale - Session One 🔓Senza carta di credito.
Data della vendita : 12/11/2024 🔓Senza carta di credito.
Riferimento dell'asta : PUVWSQ2TF1 Online sale

Provenienza : [Propriété non datée] - Linda Givon Collection
Exhibited : Pretoria Art Museum, Pretoria, Now + Then, 4 August to 3 October 2004, cat. no. 2004/6.
Literature : Nicholas Combrinck (2000) Norman Catherine, Johannesburg: Goodman Gallery Editions, illustrated in colour on page 47. Josh Ginsburg and Jason Webb (2016) Off The Wall: An 80th Birthday Celebration with Linda Givon, exhibition catalogue, Wits Art Museum, Johannesburg, illustrated in colour on page 71.
Note : "Flamboyant, grotesque, psychotic and sexual, his imagery seemed to reflect a desire to voraciously feed off the city's subcultures, immersing himself in its liberties and licentiousness. 'From a distance, I could engage with Africa, through a better perspective of both my roots and routes. I fed off the frenzy, gangster culture and the sordidness of daily life in New York more than I did the art. Artists such as Jean Michel Basquiat interested me with his combination of primitive and contemporary imagery. Keith Haring's graffiti and merchandising reminded me of some of Battiss's work. And Kenny Scharf's comic-book style encapsulated America for me.' In America, Catherine also re-incorporated found objects into his work with a greater variety and freedom. He produced mixed media montages of urban and primitive imagery … But a sense of alienation infiltrated his exuberant response to the vibrant anarchy of street life." Hazel Friedman
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