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Hai bisogno di informazioni precise ? Trova il prezzo e altre valutazioni grazie alla nostra banca dati di opere d’arte africane. Joachim Schönfeldt; South African 1958-; Prototype 1 da Joachim Schonfeldt


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Joachim Schonfeldt Nato a 1958
Il lotto Lotto n° 124
Joachim Schönfeldt; South African 1958-; Prototype 1 ,1992
Medium: carved and painted Eucalyptus globulus wood
Dimensione : height: 144 including base; width: 57cm; depth: 40cm
Edizione:
Firma:
Stima (bassa/alta) : 4961.64 USD-7088.06 USD 🔓Senza carta di credito.
Strauss & Co, banditore 🔓Senza carta di credito.
,Posizione di vendita : Johannesburg, Gauteng, ZA
Titolo di vendita : Session Two: Contemporary Art 🔓Senza carta di credito.
Data della vendita : 17/05/2021 🔓Senza carta di credito.
Riferimento dell'asta : S7Z5FLZSQY Online sale

Provenienza :
Exhibited :
Literature :
Note : An early and important work in Schönfeldt's oeuvre, Prototype I reflects a fascination with the up-turning of some traditional religious iconography. The prophet Ezekiel, who is prevalent in Hebrew, Christian and Islamic literature, has a vision of four living creatures, who represent God as throne bearers, and often appear as a multi-headed living being. The creatures are a lion, an ox, an eagle and a man. Schönfeldt works with these creatures and contraries their gender, by representing them as their female counterparts. In the images he produces, there is an imagining of what a pan-African religion could potentially be and what these icons derived from religious texts might look like, using alternate female icons. In the present lot, Schönfeldt draws on a particular creature from this iconography, representing a three-headed, six-legged cow carved from Eucalyptus globulus or blue gum wood sourced at Crown Mines in Johannesburg. The creature's heads are painted bright blue, its flanks covered by a small, varnished painting bearing a male nude with an erect penis, a knife, and the words, 'curios and authentic works of art' - linking to his position as curator and researcher at Meneghelli Holdings. Schönfeldt recalls that the carving of the creature, which is in multiple parts that fit together closely and has articulated ears, was labour intensive. The overall shape of the present lot, when viewed from the top may have been influenced by the shape of an Ethiopian Coptic cross, an intertextual referencing across religions and their iconography.
Condition_report :

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