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Consulter la cote et le prix de Muafengejo'S Kraal par John Muafangejo


 En ligne
John Muafangejo (1943-1987)
À propos du lot n° 46
Muafengejo'S Kraal ,1980
Medium: linocut on paper
Dimensions : image size: 61 by 50cm, sheet size: 66,5 by 54cm, 83 by 70 by 3cm including frame
Signature: signed, dated 1980, numbered 87/150 in pencil in the margin and inscribed with the title in the block
Prix: 1 089.16 USD 🔓Accès libre sans carte bancaire.
Estimations(basse-haute) : 12000 ZAR-16000 ZAR 🔓Accès libre sans carte bancaire.
Strauss & Co, Salle de vente 🔓Accès libre sans carte bancaire.

Titre de la vente : Monochrome: Modern and Contemporary Art Timed Online Auction 🔓Accès libre sans carte bancaire.
Date de la vente : 27/03/2023 🔓Accès libre sans carte bancaire.
Référence de l'enchère : Online sale

Provenance : [Propriété non datée] - Late Estate Reverend Edward Morrow - Private Collection
Literature : Adelheid Lilienthal (2010) John Ndevasia Muafangejo (1943-1987): etchings, woodcuts and linocuts from the Collection of the Arts Association Heritage Trust, Windhoek: Arts Association Heritage Trust, illustrated on page 80.
Notes : This print was one of several that the artist gifted to his friend, South African born Anglican vicar and anti-apartheid activist, the late Reverend Edward Morrow (1934 – 2003) before his death in 1987. Reverend Morrow met Anglican artist Muafangejo during his tenure as Vicar-General, Damaraland (later named Namibia) between 1975 and 1978, and remained a passionate supporter of the Namibian freedom movement until the country secured its independence from South Africa in 1990. Thanks to the Lutheran, Roman Catholic and Anglican bishops in Namibia he and his wife, Laureen Black (married in 1957) set up a Namibian Chaplaincy in Europe in 1984. In a house in Islington, north London, they gave pastoral care, house room and hospitality to a flock of Namibian exiles over many years leading up to Namibia’s independence. Reverend Morrow gifted the Print to his niece, Lara Black during a visit in 1993 when he was vicar of St Thomas's, Stamford Hill, in London. This print has been a treasured artwork, remaining in her possession ever since.

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