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Consulter la cote et le prix de Kate Gottgens; South Africa 1965-; Dead Man'S Float, 2017 par Kate Gottgens


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Kate Gottgens né en 1965
À propos du lot n° 96
Kate Gottgens; South Africa 1965-; Dead Man'S Float, 2017
Medium: oil on canvas
Dimensions : 150 by 150cm excluding frame; 152 by 152 by 5cm including frame
Édition:
Signature:
Estimations(basse-haute) : 80000 ZAR-120000 ZAR 🔓Accès libre sans carte bancaire.
Strauss & Co, Salle de vente 🔓Accès libre sans carte bancaire.

Titre de la vente : Session 5: The Oliver Powell and Timely Investments Trust Collection 🔓Accès libre sans carte bancaire.
Date de la vente : 20/09/2022 🔓Accès libre sans carte bancaire.
Référence de l'enchère : A4FH7HXK5K Online sale

Provenance : [Timeline chronologique] 2018-03-12 | SMAC Gallery, Cape Town, 12 March 2018 [Propriété non datée] - The Oliver Powell and Timely Investments Trust Collection
Exhibited : SMAC Gallery, Cape Town, Tired from Smiling, 22 November 2017 to 27 January 2018.
Literature : Sean O'Toole (2017) Kate Gottgens: Paintings 2015 - 2017, Cape Town: SMAC Gallery, illustrated in colour on page 41.
Notes : Kate Gottgens forms part of a new vanguard of admired women painters who, in the last decade, have revolutionised South African painting. The Powell Collection includes two untitled works featured in Asleep Inside You, the artist's breakthrough exhibition of dissolving figural compositions shown with dealer João Ferreira in 2009. A perceptive colourist who continually updates her palette, the works in Asleep Inside You were rendered mostly in browns, greys and blues, with additional washes of pink Untitled (65) (lot 95) and green. "She moves with an enviable confidence between the representational and the abstract," noted artist Andrew Putter in a rave review that also revealed Gottgens's use of found photographs as source material.1 Painting's love affair and argument with photography is longstanding. Gottgens's style certainly shares stylistic affinities with that of Gerard Richter's photo paintings from the 1960s. In the manner of Richter, Gottgens destabilises her translated images by liquefying, hazing and colour tweaking details. This transformative approach to image making also informs Dead Man's Float 2017 (lot 96), a work based on a scene that the artist photographed in the Cape Town suburb of Plumstead. A laconic painter, Gottgens does not lavishly describe details or flesh out scenes in her work. The rudimentary tree flanking the sailboat in Dead Man's Float is topped with spray-painted green foliage. When she paints people, Gottgens is similarly economical, offering only a basic architecture of gendered bodies. Faces are often incomplete. 1. Andrew Putter (2008) 'Kate Gottgens at João Ferreira', Artthrob, Issue 136, December: https://artthrob.co.za/08dec/reviews/joaof. html, accessed 25 July 2022.
Condition_report :

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