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Consulter la cote et le prix de Anthropomorphic Caryatid Vessel, 1964



Description : varied beige surface of low-fired clay with evidence of grass matrix, 2-pcs. (lid), cowrie shells, wasp nest on the right side, rest., inventory no. 104, base We know almost nothing about Senufo figural terracottas. In old field reports they are mentioned in connection with the sacred groves sinzanga. In 1908, Delafosse mentions rough clay representations of human figures ....which decorate several sacred groves, while Vendeix, describing the groves as they had been shortly after 1900 says, They were furnished with satues of effigies in red clay reprensenting all the totems of the family: buffalo, panthers, crocodiles, snakes, antelopes.... In the sacred groves sinzanga the last and most important stage of initiation into the Iô society took place, which is the most important socio-religious institution of the Senufo. Here, the male initiates learned the mythical and religious traditions, the secret knowledge of the society and were accepted into the Iô as now adult full members. The most impressive Senufo sculptures, whether made of wood or clay, are related to the rites of the Iô society. Published In: Goldwater, Robert, Senufo Sculpture from West Africa, New York, The Museum of Primitive Art, 1964, p.13, fig 6, Expo catalogue, Selections from the William W.Brill Collection of African Art, Milwaukee Public Museum, Wisconsin, 1969, p.13, fig. 14 AHDRC: 0074840 Continent: Africa
Prix: 0.00 USD 🔓Accès libre sans carte bancaire.
Estimations(basse-haute) : 9000 EUR-15000 EUR 🔓Accès libre sans carte bancaire.

À propos du lot n° 200
Titre : Anthropomorphic Caryatid Vessel, PÉRIODE : 1964
Dimensions : H: 53,5 cm, H: 21,1 inch
Provenance : Robert Stolper, New York, USA (1964) Stolper Galleries, Robert Stolper and Morton Lipkin, Amsterdam, The Netherlands (1965) William W. Brill (1918-2003), New York, USA (1965) By inheritance to his son (2003) Sotheby's, New York, 17 November 2006, Lot 13 Toby & Joey Tanenbaum, Toronto, Canada After a business trip to Nigeria in 1960, William Brill's great passion for collecting African art began. The majority of his collection was acquired between 1965 and 1969. With the travelling exhibition Selections from the William W. Brill Collection of African Art (1969), he presented 286 outstanding works of African art to the American public. This included the present, extremely rare terracotta object, which he had acquired at the Stolper Gallery in 1965. The exhibition and accompanying catalogue became formative for an entire generation of new collectors. The Brill Collection represents the spirit of a true collector - works of art brought together with a passionate energy and a tireless spirit. Brill lived with his objects, every corner of his house held African objects that he constantly rearranged and redecorated to enjoy them from a different angle, again and again.
Condition report : See description
Zemanek-Muenster, Salle de vente , Würzburg, DE 🔓Accès libre sans carte bancaire.
Titre de la vente : 97 Auction - Africa, Oceania, Pre-Columbia
Date de la vente : 06/11/2021 🔓Accès libre sans carte bancaire.
Référence de l'enchère : Live Sale

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