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Descubra la tasación y los precios de esta y más obras de arte africano en Africartmarket. Julie Mehretu de Julie Mehretu


Julie Mehretu nacido en 1970
Sobre el lote Lote N° 393
Julie Mehretu
Medios:
Talla :
Edición:
Firma:
Precio: 602 500.00 USD 🔓Sin tarjeta de crédito.
Estimación (baja/alta) : 400000 USD-600000 USD 🔓Sin tarjeta de crédito.
Sotheby's, subastador 🔓Sin tarjeta de crédito.

Título de venta : Contemporary Art Day Sale 🔓Sin tarjeta de crédito.
Fecha de la venta : 10/11/2010 🔓Sin tarjeta de crédito.
Referencia de la subasta : YB8CV4JP0W Live Sale

Procedencia : [Propriété non datée] - Andrew Ong, New YorkAcquired by the present owner from the above
Exhibited : Minneapolis, Walker Art Center, Julie Mehretu: Drawing into Painting, April 2003 – August 2004, cat. no. 6, illustrated in colorLeon, Museo de Arte Contemporáneo de Castilla; Kunstverein Hannover; Humlebaek, Louisiana Museum for Moderne Kunst, Julie Mehretu, September 2006 - August 2007, p. 96 -97, illustrated in color
Literature :
Notas : Ethiopian born Julie Mehretu's gestural paintings are the summation of layers upon layers of acrylic paint, on top of which she impresses labyrinthine renderings in pencil and ink. The complex, fractured geometry seems to dissolve a familiar sense of direction, making time and place anonymous and space age. By enjambing the influences of many art historical movements – Abstract Expressionism, Italian Futurism, Cubism – Mehretu seems to invent her own visual metropolis. Excerpt (Paradigm), 2003, is archetypal of Mehretu's impulse to collapse earth and sky into one another. She conveys the frenetic energy and overpopulated pandemonium of our media-drenched age by way of a dazzling superimposition of architectural plans, gridded maps, and urban illustration. She seems to privilege no one layer in particular and her technique yields a sort of faceted flatness – colorful and hypnotic, the 21υst Century made abstract. The taped-off, triangular segments of acrylic are arranged so as to create multiple vanishing points. A white, horizontal strip in the middle of the canvas – the only negative space in the entire composition – serves as a visual relief from the surrounding chaos. The line drawn cityscape grounds the otherwise completely abstract painting with a sense of reality. Mehretu's visions are of existing experience, their referent an all but obsolete world. Mehretu remains purposefully ambivalent, however, as to her own creations. As result, Excerpt (Paradigm), 2003, becomes an arresting visual quagmire that is a dichotomy between a utopian solution to the density and anxiety of the 21υst Century rather and an exaggerated pictorial a dystopia that exemplifies the turbulent atmosphere of our times.
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