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This is the rating and price for Willem Boshoff; South African 1951-; Overgesetsynde by Willem Boshoff


 Online
Willem Boshoff born in 1951
About the lot N° 90
Willem Boshoff; South African 1951-; Overgesetsynde
Medium: wood
Size : each: 224 by 100cm, excluding frame; 231 by 107 by 6,5cm, including frame
Edition:
Signature:
Estimate (low-high) : 300000 ZAR-400000 ZAR It's free to register now to view!
Strauss & Co, auctioneer It's free to register now to view!

Sale Title : Modern and Contemporary Art - Session One It's free to register now to view!
Sale date : 16 May 2023 It's free to register now to view!
Sale Reference : 8H5VV6ALZ6 Online sale

Provenance :
Exhibited :
Literature : Willem Boshoff is a conceptual artist, fascinated by language and words. Boshoff grew up in Vanderbijlpark, working with wood under the supervision of his carpenter father where he developed a respect for technical expertise and a deep love for wood. Boshoff has a great fascination with language, he remains a conservationist of plants and language. About Face and Overgesetsynde are diptychs of carved text creating a mirroring effect in the left and right panels, reversing the text in the left to create new words in the right. In About Face English vocabulary is used and in Overgesetsynde, Afrikaans. A similar work, Mutatis Mutandis, was exhibited as part of Boshoff's retrospective exhibition Word Woes, from March 2021 to January 2022, at the Javett Art Centre in Pretoria. Mutatis Mutandis is designed in the same format as these works, but with the left panel in English, and the right in Afrikaans. Boshoff uses these sort of word games throughout his work, challenging the audience's notion of language, driving home the point that written language is merely an arrangement of letters, and the meaning of the text lies entirely within the mind of the viewer. Rated, Devil, Eve, Edit, Knits and Eros reversed becomes Sore, Stink, Tide, Eve, Lived and Detar. There is both truth and absurdity to these works, as Boshoff draws attention to the relativity of communication, and the creation and context of meaning, while simultaneously executing the physical making of the wooden sculptural work with a practiced eloquence.
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