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This is the rating and price for Ablade Glover; Ghanaian 1934-; Marketscape by Ablade Glover


 Online
Ablade Glover born in 1934
About the lot N° 225
Ablade Glover; Ghanaian 1934-; Marketscape
Medium: oil on canvas
Size : 101 by 126cm excluding frame 103,5 by 128,5 by 5,5cm including frame
Edition:
Signature:
Price: 11 000.00 USD It's free to register now to view!
Estimate (low-high) : 200000 ZAR-300000 ZAR It's free to register now to view!
Strauss & Co, auctioneer It's free to register now to view!
,Sale location : Johannesburg, Gauteng, ZA
Sale Title : Rough & Smooth: A Focus on Surface and Texture - Session One It's free to register now to view!
Sale date : 12 Nov 2024 It's free to register now to view!
Sale Reference : 6RLA9T1NHK Online sale

Provenance :
Exhibited :
Literature :
Notes : Professor Ablade Glover is a Ghanaian artist and educator, who initially trained at the College of Art and the Kwame Nkrumah University of Science and Technology (KNUST) in Kumasi, before he was awarded a scholarship to study textile design at the Central School of Art and Design in London. Later, Glover received another scholarship, authorised personally by the first president of Ghana, Dr. Kwame Nkrumah, to study Art Education at Newcastle University. Glover completed his master's degree at Kent State University, and his Doctorate at Ohio University, before returning to Ghana to teach art at KNUST for two decades, ultimately playing a pivotal role in shaping Ghana's art scene. Glover's technique involves applying paint with a palette knife to his canvas in daubs and slashes of vibrant blues, marigolds and hot crimson. Initially, the exquisitely textured canvas appears to be abstract, but on closer inspection the composition is revealed to be teeming with figures. The joyfully coloured and vibrantly saturated surfaces are a testament to Glover's love and passion for his homeland, focussing on the subject matter of the market space, or more specifically, the interaction that the site for informal commerce facilitates. Negotiating, engaging, connecting, the market crowd in Ghana is made up primarily of women, and it is the energy and bustle of these Ghanaian centres for commerce that Glover returns to repeatedly, editing out the buildings to highlight this site for interaction and connection, celebrating the life and vitality of the women of Ghana.
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