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Description : Egypt, Late Dynastic to Ptolemaic Period, ca. 664 to 30 BCE. A lovely and sensitively modeled head of a youthful male carved from limestone that was used as a sculptor's model, perhaps to illustrate a priest or a scribe based on the shaved head. The head presents almond-shaped eyes with elongated exterior canthi, a slender nose with slightly flared nostrils, puffy cheeks, full lips with a delineated philtrum along the upper lip, ears shaped like half of a heart, and a faintly incised groove running low along the brow. The mottled cream-hued limestone has faint beige inclusions that create a depth of color that would otherwise go unnoticed. A hole drilled into the base of the neck accommodates a wooden peg used for mounting purposes. Size: 2.5 W x 4.1 H (6.4 cm x 10.4 cm), 7.7 H (19.6 cm) on included custom stand. A carved head like this example may have served as a model for a larger sculpture, to teach apprentice sculptors how to replicate a master style, or to produce ushabti figures (small funerary statues for tombs). Though sculptors' models are typically difficult to date - with some being from the Amarna period of the 18th Dynasty when new forms of statuary came in - most known examples are from the Late Dynastic and Ptolemaic periods. The Egyptians were keen observers of fauna, with many different animals gracing their mythology, artwork, and hieroglyphs, however, anthropomorphic models were typically among the most challenging to carve accurately. While sculptors' models appear to be from larger composite figures, their incomplete presentation could be an entirely separate item typology. Ancient Greek sculptural incompleteness was a generic form of presentation as the viewer could extrapolate who or what a sculpture was meant to represent. In contrast, the ancient Egyptians would view an incomplete votive work of art only as it was: part of a bird, a disembodied head, or in one instance the hind quarters of a lion. According to Eric Young of the Metropolitan Museum of Art, When we consider the Egyptian pieces as sculptors' models, however, their incompleteness is no longer disturbing, but entirely understandable. As is the case with unquestioned sculptors' models...the apprentice sculptor concentrated his energies on those portions of the figure that he found intriguing, or most difficult, and the master sculptor demonstrated the correct way to delineate a head… (Sculptors' Models or Votives? In Defense of a Scholarly Tradition. The Metropolitan Museum of Art Bulletin, March 1964, p. 255). Provenance: private Corpus Christi, Texas, USA estate collection, acquired 1960s to 1970s All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #165089
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Estimate (low-high) : 2000 USD-3000 USD It's free to register now to view!

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