This is the rating and price for Bassa Female With Sandals Liberia African, Second half 20th cen

Description : Additional Information: A standing Female figure carved in a strong style typical to the Bassa people. Figures among the Bassa are rare. Usually they shows traits that are evidence of a mixture of sources and cultures as figures play a prominent role among other Liberian and Sierra Leone , peoples including the Dan and Mende. This example is a pure Bassa sculpture with all details found on typical Bassa Figures. The head and face of this figure are carved in a similar manner as the better known Bassa masks called Geh-naw that dances in graceful and feminine movements to accompany the boys when they return to their village after having been initiated into the men’s society. The facial features are expressive an very geometric. The elaborate braided hairstyle and distinctive markings , on the forehead, temples, chest and breasts, around the navel and in the back are evidences that the figure represents a mature or initiate female. The patina shows traces of pigment which indicates the figure was extensively used in rituals. The Bassa have several female and male societies, including chu-den-zo, to whom gela (geh-naw). The Bassa are relatives of the Dan, who live to their northeast, mostly in Cote d'Ivoire. They have absorbed much from Dan culture, including the usage and appearance of their arts. Occupying the geographic center of Liberia, the Bassa live in scattered small villages, and cultivate rice and other crops. They do not have a centralized government or paramount chief, and depend on secret societies like the Poro to maintain order and social cohesion. Masks are the primary modes of expression for the Bassa, as well as their Mande relatives, and figures are rare and poorly documented. What is known is that statues are reportedly carved to honor a favorite wife, or other important family member or ancestor. These figures served to honor women of good character and generous spirit. They were hidden and not, as far as we know, used ritually by the village as a whole. They are personal in nature, and thus each one has a unique meaning. Recommended Reading: Kerchache, ART OF AFRICA I have examined this piece and agree with the description. Niangi Batulukisi, PhD.
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