This is the rating and price for A Selection of Mixed Tribal Books and Auction Catalogues,
Description : Rogers, E.S. Forgotten Peoples- A Reference. Toronto: Royal Ontario Museum, 1974. 107 pp., 170 ills.; New York. Beyond Europe, Sculpture of "Other Cultures"" from the Collection of Ben Heller. Saidenberg Gallery, New York, 1971. 40 plates.; New York. Art of Oceania, Africa and the Americas from the Museum of Primitive Art. New York: Metropolitan Museum of Art, 1969. 276 pp., 325 ills.; Hough, Walter. Fire as an Agent in Human Culture. Smithsonian Institution, Bureau of American Ethnology Bulletin 139. Washington: Government Printing Office, 1926. 270 pp., 41 pls.; Fagg, William. The Tribal Image. London: The British Museum, 1977. Illustrated.; Ebin, V. and D.A. Swallow. "The Proper Study of Mankind"- Great Anthropological Collections in Cambridge. Cambridge: Cambridge University Museum of Archaeology and Anthropology, 1984. 52 pp., illustrated.; Corbin, George. Native Arts of North America, Africa and the South Pacific- An Introduction. New York: Harper & Rowe, 1988. 313 pp., numerous ills.; Coral Gables. Primitive Art. Barton Collection Exhibition Checklist.; Chicago. Primitive Art from Chicago Collections. Chicago: Art Institute of Chicago, 1960. illustrated.; Chicago. The Raymond and Laura Wielgus Collection. Chicago: The Arts Club of Chicago, 1966. illustrated.; Braunholts, H.J. Sir Hans Sloane and Ethnography. London: British Museum, 1970. 47 pp., 24 pls.; Brussels, Arts d"Afrique, d"Oceanie, d"Amerique- Choix des Collections du Musee d"Ethnographie de la Ville d"Anvers. Brussels: Palais des Beaux-Arts, 1966. 146 ills, text.; Boas, Franz. Primitive Art. New York, 1955. 376 pp., 15 pls., 308 text figues.; Berlin. Atlantis, Heft 2, February 1938. Includes: "Der Siegestanz"" and "Stetzentenzer. ill.; Birket-Smith, Kaj. Primitive Man and His Ways- Patterns of Life in Some Native Societies. New York: Mentor, 1963. 222 pp., ill.; Adam, Leonard. Art Primitif. Paris: Arthaud, 1959. 345 pp., 51 pls. 75 figs.; Blackburn, Julia. The White Men: The First Response of Aboriginal Peoples to the White Man. London: Orbis Pub., 1979. 192 pp., many illustrations, maps.; Berlo, Janet C. and Kenneth Anderson. Animals of Power- African, Native American, and Oceanic Art from Private Collections. Craft Alliance Gallery. St. Louis, 1991. 28 pp., Basel. Kulturen Handwerk Kunst/Art, Artisanat et Societe/World Cultures, Arts and Crafts. Basel: Museum fur Vlkerkunde, 1979. 372 pp., profuse ills.; Amsterdam. Primitive Art, Gallery Menist. Amsterdam, n.d. Ill.; Attenborough, David. The Tribal Eye. New York/London, 1976. 144 pp., illustrated.; Baltimore. The Wurtzburger Collection of Primitive Art. 3 vols bound together. Baltimore: Baltimore Museum of Art, 1956-1958. Vol I: Pre-Columbian Art (1958). Vol II: Oceanic Art (1956). 40 pp., numerous ills. Vol II: African Sculpture (c. 1958). 30 pp., many ills.; Arundel, Ian. Primitive Art Reference Library of Ian Arundel, Retired Art Dealer. Santa Monica, 1982. 202 pp.; Cornet, Joseph. Art from Zaire: 100 Masterworks from the National Collection. New York: African-American Institute, 1975. 134 pp., 100 plates.; Paris. Masques et Sculptures d"Afrique et d"Oceanie, Collection Girardin Musee d"Art Moderne de la Ville. Paris: Editions Paris-Musees, 1986. 210 pp., 110 ills., numerous c. pls.; Nouveau Drouot. November 28, 1981. Coll. Anatole France a Divers Amateurs.; Phillips. July 8, 1992. Tribal Art & Antiquities.; Phillips. December 8, 1992. Antiquities and Tribal Art.; A Gift of Nimrud Sculptures, Bulletin of The Brooklyn Museum, Spring 1957. 12 pp., 11 plates.; Newton, Douglas. Masterpieces of Primitive Art: The Nelson A. Rockerfeller Collection. New York, 1978. 264 pp., 250 c. pls.; New York. The Raymond Wielgus Collection. New York: Museum of Primitive Art, 1960. 32 pp., 31 ills.; New York. Technique & Personality. Three Lectures by Margaret Mead, Junius Bird and Hans Himmelheber. New York: Museum of Primitive Art, 1963. 110 pp., 37 pls.; New York. Three Regions of Primitive Art. Three Lectures by George Kubler, S. Kooijman, and Hallam Movius. New York: The Museum of Primitive Art, 1961. 75 pp., 42 pls.; New York. African, Oceanic, Pre-Columbian, American Indian: The Ulfert Wilke Collection. Pace Gallery. New York, 1978.; New York. The Lipschitz Collection. New York: The Museum of Primitive Art, 1960. Illustrated.; New York. "The Museum of Primitive Art"", reprinted from Art News, January 1968. 24 pp., numerous ills.; New York. The Museum of Primitive Art- Selected Works Three. New York: M.P.A., 1957. 26 ills., text.; New York. The Herbert Baker Collection. New York: Museum of Primitive Art, 1969. 44 pp., illustrated.; New York. The John and Dominique DeMenil Collection. New York: Museum of Primitive Art, 1962. 52 pp., illustrated; Newton, Douglas. The Art of Africa, the Pacific Islands and the Americas. New York: Metropolitan Museum of Art Bulletin, 1980. 56 pp., 41 pls.; New York. The Museum of Primitive Art- Selected Works. New York: M.P.A., 1957, 39 ills., text.; New York. The Museum of Primitive Art- Selected Works Two. New York: M.P.A., 1957. 26 ills., text.; New York. RES 1. Includes Penney, The Nootka "Wild Man" Masquerade and Ballini, Tradition et Innovation dans l"usage des Objets de Culte Melanesiens., Spring 1981.; Movius, Hallam. Early Man and Pleistocene Stratigraphy in Southern and Eastern Asia. Papers of the Peabody Museum, Volume XIX, No. 3. Cambridge: Peabody Museum, 1944. 125 pp., 47 figs.; Los Angeles. The George G. Frelinghuysen Collection at UCLA. Objects from Africa, Indonesia, The South Seas and Asia. Los Angeles: Ethnic Art Galleries, 1968. 35 pp., illustrated.; London. Primitive Art from 2500 BC Gimpel Fils. London: 1969. illustrated.; Kansas City. The Imagination of Primitive Man. The Nelson Gallery. Kansas City: Atkins Museum, 1962. 178 pp., illustrated.; Iowa City. Very Small Paintings/Objects/Works on Paper. Exhibition from the Collection of Ulfert Wilke held at University of Iowa Museum of Art. 31 pp., illustrated.; Kansas City. Africa, Mediterranean, Oceania: Ethnic Art from the Collection of Mr. and Mrs. Herbert Baker. Nelson Gallery. Kansas City: Atkins Museum, 1966. 36 pp., illustrated.; Indianapolis. African, South Pacific and Precolumbian Art from Private Indianapolis Collections. Indianapolis, 1992. catalogue, 20 ills.; Kalamazoo. The Art of Black Africa and Oceania. Kalamazoo Institute of Arts, Bulletin No 27. Gilmore Art Center, Kalamazoo, 1969. illustrated.; Fredricksburg. The Sculpture of Primitive Peoples. Mary Washington College, Fredricksburg, 1966. 23 pp., well illustrated.; Komaroff, Katherine. Sky Gods- The Sun and Moon in Art and Myth., New York: Universe Books, 1974. 86 pp., numerous illustrations.; Goldwater, Robert. Art of Oceania, Africa, and the Americas. Metroplitan Museum of Art Bulletin, May 1969. pp.397-424, illustrated.; Fouchet, Max-Pol. La tete: Amerique, Oceanie, Afrique. Paris: Jacques Kerchache, 1966. 44 ills., map, text.; Dwyer, Jane P. and Edward B. Dwyer. Traditional Art of Africa, Oceania and the Americas. San Francisco: The Fine Arts Museum of San Francisco, 1973. illustrated.; Batterberry, Michael and Ariane Ruskin. Primitive Art. New York: McGraw-Hill, 1973. 192 pp., 316 ills.; Phillips, London. Antiquities and Tribal Art. July 21985; Bassani, Ezio. Nobili O Selvaggi? L"immagine dell"Africa nera e delgi africani nelle illustrazioni europpe dal Cinquecento al Settecento. Centro Studi Archeologia Africana., 32 pp., illustrated.; Cambridge. Art of Polynesia. Hurst Gallery. Cambridge: 1987. 50 pp., many illustrations.; Hotel Drouot. Art Antique et Precolombien. 1993.; Phillips, New York. African and Oceanic Art. April 9, 1987.; Christie"s, London. Enthnographica. November 11, 1969.; Pickard Gallery. African Primitive Sculpture. June 28-29, 1975.; Cumberlege, Geoffrey. The Medicine of the Aboriginal Peoples in the British Commenwealth. Wellcome Historical Medical Museum, Occasional Papers No. 5. London: Oxford Univeristy Prress, 1952. 58 pp., 11 figs.; Paris. Chefs-d"Oeuvre du Musee de l"Homme. Paris: Musee de l"Homme, 1965. 237 pp., illustrated. Los Angeles. Ornament: A Quarterly of Jewelery & Personal Adornment. 7 vols. beginning Summer, 1981, ending February, 1985.; Sullivan, Louis R. The Frequency and Distrbution of Some Anatomical Variations in American Crania. Anthropological Papers of the American Museum of Natural History, Volume XXIII, Part V. New York, 1922.pp. 207-258, charts and tables.; Hausenstein, Wilhelm. Barbaren und Klassiker- Ein Buch von der Bildnerei Exotischer Volker. Munich: R. Piper & Co., 1922. 104 pp., 169 pls.; Von Sydow, Eckart. Die Kunst der Naturvolker und der Vorzeit. Propylaen-Kunstgeschicte, Volume I. Berlin, 1923. 607 pp., illustrated; Wingert, Paul S. Primitive Art: Its Traditions and Styles. New York: 1965. 421 pp., illustrated; Utzinger, Rudolf. Masken. Orbis Pictus, Band 13. Berlin: Ernst Wasmuth, n.d. 26 pp., 48 pls.; Wilke, Ulfert. An Artist Collects, Ulfert Wilke: Selections from Five Continents. Iowa City: University of Iowa Museum of Art, 1975. 150 pp., illustrated; Trowell, Margaret. African and Oceanic Art. New York: Abrams, 1968. 264 pp., 287 pls. (154 in color), 2 maps.; Norwich. Sainsbury Centre for Visual Arts: Robert and Lisa Sainsbury Collection. Norwich: University of East Anglia, 1978. 280 pp., 538 pls.; Adam, Leonard. Primitive Art. Harmondsworth: Pelican, 1949 (revised). 271 pp., 32 pls., 49 ills., bound.; Boston. Masterpiecs of Primitive Art. Boston: Museum of Fine Arts, 1958. ill.; Fraser, Douglas. Primitive Art. Garden City: Doubleday, 1962. 320 pp., 59 c. pls., 124 ills.; Kamer, Henri. L"Arte Negre, entre la Brousse et la Salle de Vente. off print, 23 pp., 15 ills.; Riley, O. Masks and Magic. New York, 1955. 122 pp., 52 pls.; London. The Epstein Collection of Primitive and Exotic Sculpture. Arts Concil of Great Britain. London, 1960. 16 ills.; New York. Masks and Sculptures from the Collection of Gustave and Franyo Schindler. New York: Museum of Primitive Art, 1966. illustrated; New York, Masterpieces in the Museum of Primitive Art- Africa, Oceania, North America, Mexico, Central to South America, Peru. New York: M.P.A., 1965. 134 ills., text.; Paz, Octavio. In Praise of Hands- Contemporary Crafts of the World. Greenwich: New York Graphic Society/ World Crafts Council, 1974. 223 pp., 243 ills.; Paris. La Cuiller, collection de M.H.F.R. Argiles. Paris, 1963. ill.; Princeton. Record of the Art Museum, Princeton University, Vol. 53, No. 1, 1994. 96 pp., well illustrated.; Phillips, London. March 13, 1991. Antiques and Tribal Art.; Galerie Wolfgang Ketterer, Munich. November 5, 1977. 23 Auction, Ethnographen.; New York. Primitive Money (Odd and Curious Monies). Hans M.F. Schulman. New york, 1967. 93 pp., illustrated.; Muensterberger, W. La Sculpture des Primitifs. Leiden, 1955. 51 pp., 136 pls., 2 c. pls.; Weidenreich, Franz. Morphology of Solo Man. Anthropological Papers of the American Museum of Natural History. New York, 1951. pp. 205-290, pls. 16-47.; Harmer Rooke Galleries, New York. Absentee Auction 43, closing date November 6, 1991.; Brooklyn. Bulletin of the Brooklyn Museum, Winter 1951, Volume XII, Number 2. 20 pp., illustrated.; Hainard, Jacuqes and Roland Kaehr (Eds.) Objets Pretextes, Objets Manipules. Musee d"Ethnographie. Neuchatel, 1984. 191 pp., illustrated.; Los Angeles. A Decade in Retrospect: Works from Asia, Europe, The Near East, Africa, North and South America, Indonesia and Oceania, drawn from the Museum Collections. The UCLA Museum of Cultural History, Frederick Wight Art Gallery, Los Angeles, 1974. 84 pp., well illustrated.; Chicago. Passport Print-Out: Africa, (A Confidential Service for Passport Subscribers). Chicago, 1974. 67 pp.; Tanganyika Notes and Records. No. 56, March 1961, and No. 61, September 1963. Articles include: "A Note on Baraguyu House-types and Baraguyu Economy", "East African Art", "The Amboni Caves". illustrated.; Ascona. Galleria Serodine, Kunst der Antike, 1992.
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