This is the rating and price for A Group of One Hundred and Five African Art Books and Journals,

Description : Freyer, Bryna. Royal Benin Art in the Collection of the National Museum of African Art. Washington, D.C.: National Museum of African Art, 1987. 63 pp., illustrated.; Kamer, Henri. The Authenticity of African Sculptures. Extrait de "Arts d 'Afrique Noire" No. 12, December 1974. pp. 17-40, 9 figs.; New York. Sculpture from Africa in the Museum of Primitive Art. 1963, 32 pp., 28 pls.; Bordogna, Charles. Afican Legacy- A Cultural Heritage Through Art. Tenafly: S.M.A. Fathers, 1990. 75 pp., 57 ills., figs.; Berns, Marla C. and Barbara Rubin Hudson. The Essential Gourd- Art and History in Northeastern Nigeria. Los Angeles: Museum of Cultural History, 1986. 190 pp., 151 ills.; Brincard, Marie-Therese. Beauty by Design- The Aesthetics of African Adornment. New York: The African-American Institute, 1984. 136 pp., illustrated.; Bay, Edna G. Asen: Iron Altars of the Fon People of Benin. Atlanta: Emory University Museum, 1985. 48 pp., Illustrated.; San Diego. Values Made Visual. African Art from the Collection of Robert and Patricia Berg. San Diego: Mesa College Art Gallery, 1988. 36 pp.; 21 pls.; Paris. Akan Fetish Gold. Henri Kamer. Paris, 1979. 66 pp., 30 pls.; Montclair, Man: African Images, and African Art Exhibition at Montclair State College. 1972. 40 pp., illustrated.; New York. The Great Bieri. New York: Museum of Primitive Art, 1962. 4 ills., text.; Chicago. Pygmy Drawings, A Collection of Rare Drawings on Bark Cloth by the Mbuti Pygmies of the Ituri Forest of Zaire. Linda Einfeld Gallery. Chicago, 1980. Ill.; New York. African Beadwork- Traditional Symbols. Tambaran Gallery. New York, 1991. 53 pp., 24 c. pls.;New York. Ancient Treasures in Terracotta of Mali and Ghana. New York: African-American Institute, 1981. 48 pp., illustrated.; New York. Traditional Art of the African Nation. New York: The Museum of Primitive Art, 1961. 77 ills.; New York. Woman Eternal- The Female Image in African Art. Tambaran Gallery. New York, 1991. 57 pp., 26 c. pls.; New York. The Art of Collecting African Art. New York: Center for African Art, 1988. 64 pp., 44 ills.; Willet, Frank. African Art. New York: Praeger, 1971. 288 pp., 261 ills.; Los Angeles. Figurative Sculptures of the Niger River Delta. Essay by Arnold Rubin. Los Angeles: Gallery K, 1976. 24 pp., 29 ills.; Schaedler, Karl-Ferdinand. Ekoi. Munich, 1984;. 47 pp., 24 pls.; Kamer, Henri. Congo. Galerie Kamer. New York, 1969. illustrated.; New York. Gods of Fortune: The Cult of the Hand in Nigeria. New York: Museum of Primitive Art, 1974. Illustrated pamphlet.; New York. The Masks of Liberia- Appreciating a Heritage. The African Art Museum of the S.M.A. Fathers, Tenafly, New Jersey; with L. Kahan Gallery. New York, 1988. 36 pp., 40 ills.; Munich. Malinke - Marka - Bamana - Minianka. Introduction by Leo Polfliet. Munich: Fred und Jens Jahn, 1983. illustrated.; Fagg, William. Tribes and Forms in African Art. London: Tudor Publishing, 1965. 122 pls. with accompanying description of facing page.; Fagg, William. L 'Art Negre: Ivoires Afro-Portugais. Prague: Artia, 1959. xxiii pp., 46 pls.; Fernandez, J.W. Fang Architectonics. Philadelphia, 197. 41 pp., illuatrated.; Paris. Dictionnaire des Civilisations Africaines. Paris, 1968. 448 pp., illustrated.; Jegede, Dele. Art by Metamorphosis- Selections of African Art from the Spelman College Collection. Atlanta: Spellman College, 1988. 112 pp., 67 ills., 8 c. pls.; Geneva. Exposition Arts de L ' Afrique Noire. Galerie Motte, 1966. 97 pp., illustrated.; Kreamer, Christine Mullen. Art of Sub-Saharan Africa; The Fred and Rita Richman Collection. Atlanta: High Museum of Art, 1985. 95 pp., illustrated.; Katonah. African Art Masterpieces from Private Collections. Katonah, 1993. 24 pp., illustrated throughout.; Vogel, Susan and Francine N 'Diaye. African Masterpieces from the Musee de l 'Homme. New York: The Center for African Art, 1984. 168 pp., 100 figs., 50 pls.; Abiodin, Rowland, Henry Drewal and John Pemberton III (editors. The Yoruba Artist. Washington, 1994. 275 pp. L 'Art Negre: Ivoires Afro-Portugais. Prague: Artia, 1959. xxiii pp., 46 pls.; Fernandez, J.W. Fang Architectonics. Philadelphia, 197. 41 pp., illuatrated.; Paris. Dictionnaire des Civilisations Africaines. Paris, 1968. 448 pp., illustrated.; Jegede, Dele. Art by Metamorphosis- Selections of African Art from the Spelman College Collection. Atlanta: Spellman College, 1988. 112 pp., 67 ills., 8 c. pls.; Geneva. Exposition Arts de L ' Afrique Noire. Galerie Motte, 1966. 97 pp., illustrated.; Kreamer, Christine Mullen. Art of Sub-Saharan Africa; The Fred and Rita Richman Collection. Atlanta: High Museum of Art, 1985. 95 pp., illustrated.; Katonah. African Art Masterpieces from Private Collections. Katonah, 1993. 24 pp., illustrated throughout.; Vogel, Susan and Francine N 'Diaye. African Masterpieces from the Musee de l 'Homme. New York: The Center for African Art, 1984. 168 pp., 100 figs., 50 pls.; Abiodin, Rowland, Henry Drewal and John Pemberton III (editors. The Yoruba Artist. Washington, 1994. 275 pp., illustrated throughout, soft cover.; Anderson, Martha G. and Christine M. Kreamer. Wild Spirits, Strong Medicine: African Art and the Wilderness. New York: The Center for African Art, 1989. 152 pp., 120 ills., 1 map.; St Louis. Sculpture of Black Africa: Contrast. St. Louis: University of Missouri, 1973. Illustrated pamphlet.; Ann Arbor. Traditional Igbo Art: 1966. An Exhibition of Wood Sculpture Carved in 1965-66, from the Frank Starkweather Collection. Museum of Art, University of Michigan. Ann Arbor, 1968. Illustrated.; Allson, Philip. African Stone Sculpture. London: Lund Humphries, 1968. 71 pp., 99 pls.; Gorer, Geoffrey. Africa Dances: A Book about West African Negroes. New York: Knopf, 1935. 338 pp, 32 pls.; Olson, Gordon. Spirits in Ebony- Woodcarvings of the African Makonde. Grand Rapids: Grand Rapids Public Museum, 1976. 26 pp., illustrated.; New York. Treasures from the Ivory Coast, J. Camp Associates. New York, 1977. 30 pp., illustrated.; Baltimore. The Wurtzburger Collection of African Sculpture. Baltimore: Baltimore Museum of Art, 1954. 30 pp., illustrated.; Brussels. Art in the Congo. Brussels: Brussels Universal Exhibition, 1958. 89 pls.; Blier, Suzanne Preston. Beauty and the Beast: A Study in Contrasts. L. Kahan Gallery. Neew York, 1976. 14 pp., 8 ills.; Borgatti, Jean and Richard Brilliant. Likeness and Beyond- Portraits from Africa and the World. New York: Center for African Art, 1990. 163 pp., 105 ills., 69 figs.; Breunig, Robert. Animal, Bird and Myth in African Art. Phoenix: Heard Museum, 1985. 47 pp., many ills.; Bravman, Rene. African Islam. Washington, D.C.: Smithsonian Institution/Ethnographica, 1983. 120 pp., numerous ills.; Berg en Dal. The Pleasure of Collecting African Art- The Harrie Heinemans Collection. Berg en Dal: Afrika Museum, 1986. 136 pp., 251 ills.; Tenafly. A Tanzanian Tradition: Doei, Iraku, Kerewe, Makonde, Nyamwezi, Pare, Zaramo, Zigua and other groups. Tenafly: The African Art Museum, 1989. In cooperation with L. Kahan Gallery, N.Y.C. 64 pp., 60 ills.; Blier, Suzanne Preston. Gestures in African Art. L. Kahan Gallery. New York, 1982. 76 pp., 54 pls.; New York. The Masks of Liberia- Appreciating a Heritage. The African Art Museum of the S.M.A. Fathers, Tenafly, New Jersey; with L. Kahan Gallery. New York, 1988. 36 pp., 40 ills.; Bascom, William. African Arts. Berkeley: Lowie Museum of Anthropology, 1967. 90 pp., 190 ills.; Brussels. Umbangu: Art of the Congo au Musee Royal de L 'Afrique Centrale. Brussels, 1969. 28 pp., 50 pls.; Orisa, Awon. Gods of the Yoruba. Berkeley: Lowie Museum, 1979. 20 pp., 16 ills., map.; Blackman, Barbara and Jacques Hautelet. Blades of Beauty and Death: African Art Forged in Metal. San Diego: Mesa College Art Gallery, 1992. 20 pp., illustrated.; Chaux-de-Fonds. Afrique Noire, Sculptures des Collections Privees de Suisse. Chaux-de-Fonds: Musee des Beaux Arts, 1971. 110 pls.; Plass, Margaret. African Tribal Sculpture. Philadelphia: University Museum, 1956. 57 pp., 41 pls.; New York. Masterpieces of the People 's Republic of the Congo. New York: The African-American Institute, 1980. 57 pp., 69 ills.; New York. Robert Goldwater- A Memorial Exhibition. New York: Museum of Primitive Art, 1973. 40 pp., illustrated.; New York. The Clark and Frances Stillman Collection of Congolese Sculpture. New York: Museum of Primitive Art, 1969. 20 pp., illustrated.; New York. African Tribal Sculpture from the Collection of Ernst and Ruth Anspach. New York: Museum of Primitive Art, 1964. Illustrated.; New York. Senufo Sculpture from West Africa. New York: Museum of Primitive Art, 1963. Illustrated.; Wahington D.C. The Art of West African Kingdoms. National Museum of African Art. Washington D.C.: Smithsonian Institution, 1987. 48 pp., 49 figs., 4 poster-size inserts.; New York. Symbols of Wealth: Abstractions in African Metalwork. Michael Ward. New York, 1988. 24 pp., 14 pls.; Felix, Marc L. 100 Peoples of Zaire and Their Sculpture: The Handbook. Zaire Basin Art History Research Foundation. Tribal Sculpture from the Collection of Ernst and Ruth Anspach. New York: Museum of Primitive Art, 1964. Illustrated.; New York. Senufo Sculpture from West Africa. New York: Museum of Primitive Art, 1963. Illustrated.; Wahington D.C. The Art of West African Kingdoms. National Museum of African Art. Washington D.C.: Smithsonian Institution, 1987. 48 pp., 49 figs., 4 poster-size inserts.; New York. Symbols of Wealth: Abstractions in African Metalwork. Michael Ward. New York, 1988. 24 pp., 14 pls.; Felix, Marc L. 100 Peoples of Zaire and Their Sculpture: The Handbook. Zaire Basin Art History Research Foundation. Brussels, 1987. 246 pp., numerous line drawings., hard cover.; Kan, Michael. 31 Masterpieces of African Sculpture. Brooklyn Museum, 1970. 64 pp., 31 pls.; Sieber, Roy. African Textiles and Decorative Arts. New York: Museum of Modern Art, 1972. 240 pp., illustrated, soft cover.; Pennie, Michael. African Assortment- African Art in Museums in England and Scotland. Bath: Bath College, 1991. 303 pp., 44 ills.; Bascom, William and P. Gebauer. Handbook of West African Art. Milwaukee: Milwaukee Public Museum, 1953. 83 pp., numerouls ills.; Cannizzo, Jeanne. Into the Heart of Africa. Toronto: Royal Ontario Museum, 1989. 96 pp., numerous ills., map.; Cleveland. Africa: Land of Diversity. Cleveland: Cleveland Museum of Natural History, 1977. 64 pp., illustrated.; Kamer, Henri. L 'Art Negre, entre la Brousse et la Salle de Vente. Off print, 23 pp., 15 ills.; New York. African Sculpture from the Collection of Jay C. Leff. New York: Museum of Primitive Art, 1964. 44 ills.; Northern, Tamara. Art of the Cameroon Grasslands. Pace Gallery. New York, 1979. Illustrated.; Arts D 'Afrique Noire. Arnouville. Spring 1986, No. 57.; Arts D 'Afrique Noire. Arnouville. Summer 1985, No. 54.; Arts D 'Afrique Noire. Arnouville, 1986. Index for nos. 1-57.; Arts D 'Afrique Noire. Arnouville. Winter 1987, No. 64.; Arts D 'Afrique Noire. Arnouville. Summer 1988. No. 66.; Arts D 'Afrique Noire. Arnoville. Summer 1989, No. 70.; Arts D 'Afrique Noire. Arnouville. Autumn 1989, No. 71.; Arts D 'Afrique Noire. cover.; Kan, Michael. 31 Masterpieces of African Sculpture. Brooklyn Museum, 1970. 64 pp., 31 pls.; Sieber, Roy. African Textiles and Decorative Arts. New York: Museum of Modern Art, 1972. 240 pp., illustrated, soft cover.; Pennie, Michael. African Assortment- African Art in Museums in England and Scotland. Bath: Bath College, 1991. 303 pp., 44 ills.; Bascom, William and P. Gebauer. Handbook of West African Art. Milwaukee: Milwaukee Public Museum, 1953. 83 pp., numerouls ills.; Cannizzo, Jeanne. Into the Heart of Africa. Toronto: Royal Ontario Museum, 1989. 96 pp., numerous ills., map.; Cleveland. Africa: Land of Diversity. Cleveland: Cleveland Museum of Natural History, 1977. 64 pp., illustrated.; Kamer, Henri. L 'Art Negre, entre la Brousse et la Salle de Vente. Off print, 23 pp., 15 ills.; New York. African Sculpture from the Collection of Jay C. Leff. New York: Museum of Primitive Art, 1964. 44 ills.; Northern, Tamara. Art of the Cameroon Grasslands. Pace Gallery. New York, 1979. Illustrated.; Arts D 'Afrique Noire. Arnouville. Spring 1986, No. 57.; Arts D 'Afrique Noire. Arnouville. Summer 1985, No. 54.; Arts D 'Afrique Noire. Arnouville, 1986. Index for nos. 1-57.; Arts D 'Afrique Noire. Arnouville. Winter 1987, No. 64.; Arts D 'Afrique Noire. Arnouville. Summer 1988. No. 66.; Arts D 'Afrique Noire. Arnoville. Summer 1989, No. 70.; Arts D 'Afrique Noire. Arnouville. Autumn 1989, No. 71.; Arts D 'Afrique Noire. Arnouville. Winter 1989, No. 72.; African Arts. Los Angeles, April 1977. Volume IX, No. 2.; African Arts. Los Angeles, April 1977. Volume X. No. 3.; African Arts. Los Angeles, October 1977. Volume XI, No. 1.; African Arts. Los Angeses, January 1978. Volume XI, No. 2.; African Arts. Los Angeles, April 1978. Volume XI, No. 3.; African Arts. Los Angeles, July 1978. Volume XI, No. 4.; African Arts. Los Angeles, February 1978. Volume XII, No. 2.; African Arts. Los Angeles, November 1979. Volume XIII, No. 1.; African Arts. Los Angeles, February 1980. Volume XIII, No. 2.; African Arts. Los Angeles, May 1980. Volume XIII, No. 3.; African Arts. Los Angeles, August 1980. Volume XIII, No. 4.; African Arts. Los Angeles, November 1980. Volume XIV, No. 1.; African Arts. Los Angeles, February 1981. Volume XIV, No. 2.; African Arts. Los Angeles, May 1981. Volume XIV, No. 3.; African Arts. Los Angeles, August 1981. Volume XIV, No. 4.; African Arts. Los Angeles, May 1982. Volume XV, No. 3.; African Arts. Los Angeles, August 1982. Volume XV, No. 4.; African Arts. Los Angeles, November 1982. Volume XVI, No. 1.; African Arts. Los Angeles, November 1984. Volume XVIII, No. 2.; African Arts. Los Angeles, February 1985. Volume XVIII, No. 2.; African Arts. Los Angeles, November 1985. Volume XIX, No.1.
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