Site Loader
Rock Street, San Francisco
  • Current Language:
  • fr
  • Select Language:

Das ist der Preis für die folgende Bewertung: Pieter Hugo Naudé (South African 1868-1941) Transvaal Highveld, Spring Signed Oil On Canvas
Provenance
Donated By The Artist To The Dutch Reformed Church, Heidelberg
Gifted To The Minister In 1971 And
Gifted To The Minister In 1971,
Thence By Descent To The Current Owner
35 By 50Cm

Pieter Hugo Naudé Was Born In 1869 In The Worcester District Of The Western Cape, Where He Completed His Initial Schooling. Early On, His Talent Was Recognised And Encouraged, Most Notably By Olive Schreiner, The Feminist Author, Social Theorist And Anti-War Activist. In 1889 Hugo Naudé Accompanied Schreiner On A Trip To Europe, Following Which He Enrolled At The Slade School Of Fine Art Before Going On To Study At The Kunst Akademie In Munich And Working Briefly In Europe. Upon His Return To South Africa In 1896, He Would Travel By Caravan From Worcester As Far As The Victoria Falls, Spending An Extended Period In Namaqualand In The Drakensberg, Which Served As Inspiration For Some Of His Most Celebrated Works.

The Pioneer Of Impressionism In South Africa, Naudé’S Style Was One Of Intuition Rather Than Science. In Lot 744 We See That Naudé Was Less Concerned With The Physical Properties Of Light Than He Was With The Sun-Drenched Colour, Fresh Air And Natural Abundance Of The Landscape With Which He Was Surrounded. Much Like In Transvaal Highveld, Spring, Esmé Berman Comments That, “It Is Somehow Always Springtime In Naudé’S Small Canvases: The Veld Blooms, The Sky Is Clear... He Chose The Picturesque Views And Revelled In The Brilliant Splash Of Wild Flowers Carpeting The General Atmosphere Rather Than On Defining Detail. The Charm Of His Works Lies In Their Bracing, Open-Air Freshness As Much As In Prettiness Of Content. A Sense Of Composition, Stemming From The Disciplines Of Formal Training, Secures The Underlying Structure Of The Picture Even When The Scene Dissolves In Coloured Flecks Of Sketchy Paint.”

- Berman, E., Art And Artists Of South Africa, A. A. Balkema, Cape Town 1974, P 203 – 206
- Borman, J., Hugo Naude (1868 – 1941), Online, Available:
Http://Www.Johansborman.Co.Za/Artist-Biographies/Naude-Hugo/1 nach Pieter Hugo


 Online
Pieter Hugo geboren in 1976
Über das Lot Chargen- 744
Pieter Hugo Naudé (South African 1868-1941) Transvaal Highveld, Spring Signed Oil On Canvas
Provenance
Donated By The Artist To The Dutch Reformed Church, Heidelberg
Gifted To The Minister In 1971 And
Gifted To The Minister In 1971,
Thence By Descent To The Current Owner
35 By 50Cm

Pieter Hugo Naudé Was Born In 1869 In The Worcester District Of The Western Cape, Where He Completed His Initial Schooling. Early On, His Talent Was Recognised And Encouraged, Most Notably By Olive Schreiner, The Feminist Author, Social Theorist And Anti-War Activist. In 1889 Hugo Naudé Accompanied Schreiner On A Trip To Europe, Following Which He Enrolled At The Slade School Of Fine Art Before Going On To Study At The Kunst Akademie In Munich And Working Briefly In Europe. Upon His Return To South Africa In 1896, He Would Travel By Caravan From Worcester As Far As The Victoria Falls, Spending An Extended Period In Namaqualand In The Drakensberg, Which Served As Inspiration For Some Of His Most Celebrated Works.

The Pioneer Of Impressionism In South Africa, Naudé’S Style Was One Of Intuition Rather Than Science. In Lot 744 We See That Naudé Was Less Concerned With The Physical Properties Of Light Than He Was With The Sun-Drenched Colour, Fresh Air And Natural Abundance Of The Landscape With Which He Was Surrounded. Much Like In Transvaal Highveld, Spring, Esmé Berman Comments That, “It Is Somehow Always Springtime In Naudé’S Small Canvases: The Veld Blooms, The Sky Is Clear... He Chose The Picturesque Views And Revelled In The Brilliant Splash Of Wild Flowers Carpeting The General Atmosphere Rather Than On Defining Detail. The Charm Of His Works Lies In Their Bracing, Open-Air Freshness As Much As In Prettiness Of Content. A Sense Of Composition, Stemming From The Disciplines Of Formal Training, Secures The Underlying Structure Of The Picture Even When The Scene Dissolves In Coloured Flecks Of Sketchy Paint.”

- Berman, E., Art And Artists Of South Africa, A. A. Balkema, Cape Town 1974, P 203 – 206
- Borman, J., Hugo Naude (1868 – 1941), Online, Available:
Http://Www.Johansborman.Co.Za/Artist-Biographies/Naude-Hugo/1 Preis: 7 606.07 USD 🔓Keine Kreditkarte nötig.
Schätzung (niedrig/hoch) : 100000 ZAR-150000.0 ZAR 🔓Keine Kreditkarte nötig.
Stephan Welz & Co, Auktionator 🔓Keine Kreditkarte nötig.

Verkaufsdatum : 21/02/2017 🔓Keine Kreditkarte nötig.
Auktionsreferenz : Online sale

Sind Sie daran interessiert, Kunst von diesem Künstler oder dieser Künstlerin zu begutachten? 

AfricartMarket Insights

Greifen Sie auf exklusive Informationen zu.Abonnieren Sie jetzt unseren Newsletter und entdecken Sie alle Neuheiten und unwiderstehliche Angebote.

Wir respektieren Ihre Privatsphäre. Kein Spam.