Das ist der Preis für die folgende Bewertung: Superb 17Th C. African Benin Bronze Oba Ruler Head, 1949

Beschreibung : Africa, Nigeria, Edo, Court of Benin, ca. 17th to 19th century CE. An impressive brass (bronze) cast head depicting an Oba (king of Benin) wearing a net-like coral cap and a high coral beaded choker. The coral headdress and choker are significant royal court attributes that identify this as the head of an Oba. The opening at the top of the head was created for sculpted elephant tusk that was carved to depict the many accomplishments of the king - a personal shrine. A piece like this would have been commissioned by a newly enthroned oba to stand on an altar and commemorate a previous oba, most likely his father. The oba of Benin rules via divine right and serves as the being through which his deified royal ancestors protect and invigorate the kingdom. In Benin, the head is a prominent symbol representing an individual's ability to progress successfully through life and develop himself so that he may one day be a revered and helpful ancestor. Size: 10 Diameter x 14.5 H (25.4 cm x 36.8 cm) Though the metal composition of this piece is consistent with that of brass, examples like this have traditionally been referred to as bronzes. Joseph Nevadomsky and Natalie Lawson explain in The Dating Game: The Scientific Analysis of Benin Copper-Alloy Art-From TL to 21Pb that That problem is complex. Keep the following in mind. First is that Benin cast artifacts are typically called Benin bronzes but they are now referred to as brass, the composition of a sample of objects at the National Museum of African Art, Smithsonian, Washington, D.C., ranged 'from 64 to 94% copper, 0 to 7% tin, 1 to 17% lead, and 0 to 16% zinc' as well as 'small quantities of arsenic, silver, antimony, and nickel' with iron at 0.4 to 5% Schrenk [1] Copper alloy is the correct designation, but Benin 'bronze' became equated with royal art from Europe early on and stuck for a century at least while brass is now commonly used by art historians. (Joseph Nevadomsky, Natalie Lawson. The Dating Game: The Scientific Analysis of Benin Copper-Alloy Art-From TL to 21Pb. Open Access J Arch & Anthropol. 1(5): 2019. OAJAA.MS.ID.000525.) This piece has been tested for the presence or absence of particular elements via XRF elemental analysis. A full XRF report identifying the quantity of each element present in the sample will accompany purchase. The report certifies that the element composition is consistent with antiquity and will be included with the purchase. Similar examples may be found in the British Museum, published in Leon Underwood's Bronzes of West Africa - figure 31 - (London, 1949) and William B. FAGG: Bildwerke aus Nigeria, Munchen 1963, S. 45, the Staatliche Museen zu Berlin, Ethnologisches Museum published in Felix von LUSCHAN: Die Altertumer von Benin, Band 1-3, Berlin 1919, Tafel 59, The Perls Collection in The Metropolitan Museum of Art, New York published in Kate EZRA: Royal Art of Benin. The Perls Collection in The Metropolitan Museum of Art, New York 1992, S. 36, and several other museum collections. This item is heavy/oversized and will require 3rd party shipping. Please inquire about shipping cost prior to bidding. Provenance: private Danbury, New Hampshire, USA collection, ex-Brimfield, Massachusetts collection, USA, ex-private collection, Malden, Massachusetts, USA, prior to 2000 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #177203
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